German Expressionist Painter and Sculptor, 1880-1938 was a German expressionist painter and printmaker and one of the founders of the artists group Die Brucke or "The Bridge", a key group leading to the foundation of Expressionism in 20th century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. In 1933, his work was branded as "degenerate" by the Nazis and in 1937 over 600 of his works were sold or destroyed. In 1938 he committed suicide. In 1913, the first public showing of Kirchner's work took place at the Armory Show, which was also the first major display of modern art in America. In 1921, U.S. museums began to acquire his work and did so increasingly thereafter. His first solo show was at the Detroit Institute of Arts in 1937. In 1992, the National Gallery of Art, Washington, held a monographic show, using its existing collection; a major international loan exhibition took place in 2003. In November 2006 at Christie's, Kirchner's Street Scene, Berlin (1913) fetched $38 million, a record for the artist.  Related Paintings of Ernst Ludwig Kirchner :. | Zwei Frauen und Skulptur am Strand | Sun bath | Gelbes Engelufer (heute: Engeldamm) in Berlin | amselflue | Nollendorfplatz, |
Related Artists:
Godfried Schalcken
Dutch 1643-1706 Godfried Schalcken was born in 1643 at Dordrecht, and he studied under Samuel van Hoogstraten in Dordrecht before he moved to Leiden, into the studio of Gerard Dou (1613-1675), one of Rembrandt's most famous pupils. His earlier genre pictures very closely resemble Dou's work. He worked in Leiden until c. 1675, then returning to Dordrecht until 1691, after which he settled in The Hague, where he continued to paint until his death, near age 63, in 1706. He also visited England (1692-1697), but his uncouth manners and bad temper alienated him from the society there. In 1703 he was employed by Johann Wilhelm, Elector Palatine in D??sseldorf. Mary Stanhope, Viscountess Fane, detail, 1702.Schalcken painted several portraits, of which the half-length of William III of England, now in the Rijksmuseum, Amsterdam, is a good example. Like Dou, Schalcken specialised in small scenes it by candlelight, a technique that found favour with the fijnschilders. Examples are in Buckingham Palace, the Louvre, Vienna and Dresden. His painting, Lady, Come into the Garden (Buckingham Palace), was singled out by his pupil Arnold Houbraken as representative of his oeuvre. Other good examples are Old Woman Scouring a Pan and Soldier Giving Money to a Woman (London, National Gallery), Ceres Seeking Proserpine and Old Man Writing (Louvre), Girl Blowing Out Taper (Munich), Girl Reading Letter (Dresden Gallery), The Boy Angling (Berlin); and Toilet by Candle (The Hague). The Buckingham Palace collection also possesses an interior by Schalcken. His history paintings are less-well known.
Giuseppe Abbati
Italian, 1836-1868 Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffe Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli. While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia. Returning to civilian life at the end of the year, he moved to Castelnuovo della Misericordia and spent the final year of his life painting in the countryside. Abbati died at the age of thirty-two in Florence after his own dog bit him, infecting him with rabies. Giuseppe Abbati, The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.
Gotthardt de Wedig
German, 1583-1641